On The Waterfront

Back to the waterfront; a close reading of On the Waterfront Gary Simmons In the previous edition of Screen Education #56, I wrote the beginning of two articles on On the Waterfront (Elia Kazan, 1954). In that article, Conscience, Confessions and Context in On the Waterfront, thither was a clear focus on the range of ideas that toleratened the lease. In the original article on that point were a few tentative allusions to the ways in which Elia Kazan effected mood, tone and character. In this subsequent analysis I wish to look at the ways in which the grammar and syntax of the study validates the ideas in a series of close readings of several catch up with sequences. In doing so I will extrapolate on the ideas of the initial article and reveal the ways in which Kazan uses the careless qualities of the film to reinforce the ideas. Given the three-act narrative structure of On the Waterfront, I requirement to look closely at a number of sequences from each act. Fro m the opening sequence in which terrycloth Malloy (Marlon Brando) is complicit with the corrupt (Act 1), to his emerging understanding of the corruption characterised by his evolution ambivalence (Act 2), to the fight for rights (Act 3), the film is rich in its imagery, colloquy and design.

There is a careful fusion of all these cinematic elements in the ways that the narrative of conscience, confession and catharsis is deal out. For example, throughout the film a strong genius of rig is evoked. The lens of Boris Kaufmans (Cinematographer) camera distils a cityscape which is menacing, insular, if not, claustrophobic. Throughou t the film, there are constricted spaces suc! h as the dark, cavernous underpin of the ship, the pigeon cages, the bar room, the narrow, dingy alleyways filmed with tight angles to register the signified of entrapment, alienation and suffocation. Even the diffused light of day is shrouded in a blanket of obnubilate and mist. Visibility is limited and the blurriness functions as a metaphor for the impaired vision and moral...If you loss to get a full essay, order it on our website: BestEssayCheap.com

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